And Levin wen out of the room, only when he saw in the doorway remembering that he had forgotten to take leave of Oblonsky's colleagues.
"That gentleman must be a man of great energy", said Grinevitch, when Levin had gone away.
"Yes, my dear boy", said Stepan Arkadyevitch, nodding his head, "he's a lucky fellow! Over six thousand acres in the Karazinsky district; everything before him; and what youth and vigor! Not like some of us".
"You have a great deal to complain of, haven't you, Stepan Arkadyevitch?"
"Ah, yes, I'm in a poor way, a bad way", said Stepan Arkadyevitch with a heavy sigh.
When Oblonsky asked Levin what had brought him to town, Levin blushed, and was furious with himself for blushing, because he could not answer, "I have come to make you sister-in-law an offer", though that was precisely what he had come for.
The families of the Levins and the Shtcherbatskys were old, noble Moscow families, and had always been on intimate and friendly terms. This intimacy had grown still closer during Levin's student days. He had both prepared for the University with the young Prince Shtcherbatsky, the brother of Kitty and Dolly, and had entered at the same time with him. In those days Levin used often to be in the Shtcherbatskys' house, and he was in love with the Shtcherbatsky household. Strange as it may appear, it was with the household, the family, that Konstantin Levin was in love, especially with the feminine half of the household.
Levin did not remember his own mother, and his only sister was older than he was, so that it was in the Shtcherbatskys' house that he saw for the first time that inner life of an old, noble, cultivated, and honorable family of which he had been deprived by the death of his father and mother.
All the members of that family, especially the feminine half, were pictured by him, as it were, wrapped about with a mysterious poetical veil, and he not only perceived no defects whatever in them, but under the poetical veil that shrouded them he assumed the existence of the loftiest sentiments and every possible perfection.
Why it was the three young ladies had one day to speak French, and the next English; why it was that at certain hours they played but turns on the piano, the sounds of which were audible in their brother's room above, where the students used to work; why they were visited by those professors of French literature, of music, of drawing, of dancing; why at certain hours all the three young ladies, with Mademoiselle Linon, drove in the coach to the Tversky boulevard, dressed in their satin cloaks, Dolly in a long one, Natalia in a half-long one, and Kitty in one so short that her shapely legs in tightly-drawn red stockings were visible to all beholders; why it was they had to walk about the Tversky boulevard excorted by a footman with a gold cockade in his hat _ all this and much more that was done there was very good, and he was in love precisely with the mystery of the proceedings.